{"id":9035,"date":"2022-08-03T15:26:18","date_gmt":"2022-08-03T13:26:18","guid":{"rendered":"https:\/\/www.aveyronline.net\/?p=9035"},"modified":"2022-08-05T17:01:59","modified_gmt":"2022-08-05T15:01:59","slug":"fernand-leger-marcillac","status":"publish","type":"post","link":"https:\/\/www.aveyronline.net\/index.php\/2022\/08\/03\/fernand-leger-marcillac\/","title":{"rendered":"EXPOSITION Fernand LEGER<BR> Centre d&rsquo;Art Photographique P. Soulages"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Consid\u00e9r\u00e9 comme l\u2019une des grandes figures de l\u2019art moderne, Fernand L\u00e9ger est un peintre fran\u00e7ais dont l\u2019\u0153uvre, riche et coh\u00e9rente, traverse toute la premi\u00e8re moiti\u00e9 du XX<sup>\u00e8me<\/sup>&nbsp;si\u00e8cle.&nbsp;<\/h4>\n\n\n\n<p>De la m\u00eame g\u00e9n\u00e9ration que Picasso, Braque ou Derain, il s\u2019implique, d\u00e8s les ann\u00e9es 1910 dans la r\u00e9alit\u00e9 physique et sociale de son temps.&nbsp;Amen\u00e9 au cubisme par la le\u00e7on de C\u00e9zanne, il forge rapidement son propre style en marge des recherches de Braque et Picasso. Pour transcrire le dynamisme de son \u00e9poque, il d\u00e9veloppe une peinture bas\u00e9e sur les contrastes de formes et de couleurs, cl\u00e9 de vo\u00fbte de son esth\u00e9tique.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"774\" src=\"https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-1024x774.jpg\" alt=\"Fernand LEGER - vue d&#039;un accrochage d&#039;exposition\" class=\"wp-image-9243\" title=\"\" srcset=\"https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-1024x774.jpg 1024w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-300x227.jpg 300w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-768x581.jpg 768w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-1536x1162.jpg 1536w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-696x526.jpg 696w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-1068x808.jpg 1068w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-555x420.jpg 555w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02-80x60.jpg 80w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger02.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 agence Keyston<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Dans ses peintures et dessins, il met en lumi\u00e8re gr\u00e2ce \u00e0 une composition quasiment abstraite, la beaut\u00e9 des paysages urbains, des machines, des objets du quotidien et s\u2019en inspire pour des compositions quasiment abstraites dans lesquelles il fait jouer le principe des contrastes des formes.&nbsp;Il&nbsp;cherche \u00e0 repr\u00e9senter le mouvement des formes dans l\u2019espace et assimile les formes humaines \u00e0 celles des machines. Par l\u2019usage d\u2019une gamme sombre en cama\u00efeu, il facilite les passages entre les plans de la composition pour mieux d\u00e9nier les artifices de la perspective.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><strong>Au centre d\u2019art photographique <\/strong><\/p>\n\n\n\n<p>L\u2019exposition de Fernand L\u00e9ger au centre d\u2019art photographique Pierre Soulages a \u00e9t\u00e9 r\u00e9alis\u00e9e en \u00e9cho \u00e0 l\u2019exposition temporaire&nbsp;<em>Fernand L\u00e9ger \u2013 La vie \u00e0 bras-le-corps&nbsp;<\/em>pr\u00e9sent\u00e9e au mus\u00e9e Soulages de Rodez du 11 juin au 6 novembre 2022.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-1024x737.jpg\" alt=\"Vue de l&#039;atelier de Fernand LEGER\" class=\"wp-image-9242\" width=\"1024\" height=\"737\" title=\"\" srcset=\"https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-1024x737.jpg 1024w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-300x216.jpg 300w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-768x553.jpg 768w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-1536x1106.jpg 1536w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-696x501.jpg 696w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-1068x769.jpg 1068w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01-584x420.jpg 584w, https:\/\/www.aveyronline.net\/wp-content\/uploads\/2022\/07\/Leger01.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>\u00a9 agence Keyston<\/figcaption><\/figure>\n\n\n\n<p>Des photographies r\u00e9alis\u00e9es entre 1925 et 1962 d\u2019artistes tels que Robert Doisneau, Pierre Choumoff, Jean Lods, Charles Philippe, Denis Brihat, Sanford Roth, de la Keystone Agency et de Bernhard Moosbrugger seront pr\u00e9sent\u00e9es au premier \u00e9tage du centre d\u2019art photographique.&nbsp;<\/p>\n\n\n\n<p>Ces tirages argentiques d\u2019\u00e9poque aux petits formats,&nbsp;<\/p>\n\n\n\n<p>Ces photographes ont immortalis\u00e9 la vie de Fernand L\u00e9ger. Ces clich\u00e9s illustrent des moments qui jalonnent la vie de l\u2019artiste peintre.\u00a0<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Plus d&rsquo;infos sur le Centre d&rsquo;Art Photographique Pierre Soulages : <strong><a href=\"https:\/\/www.aveyronline.net\/index.php\/2022\/08\/03\/centre-photographique\/\" data-type=\"post\" data-id=\"9014\">cliquez ici<\/a><\/strong><\/p>\n\n\n\n<p>Exposition Fernand L\u00e9ger au Mus\u00e9e Soulages  &#8211; Rodez : <strong><a href=\"https:\/\/musee-soulages-rodez.fr\/oeuvres\/fernand-leger-la-vie-a-bras-le-corps\/\" data-type=\"URL\" data-id=\"https:\/\/musee-soulages-rodez.fr\/oeuvres\/fernand-leger-la-vie-a-bras-le-corps\/\" rel=\"nofollow noopener\" target=\"_blank\">Cliquez-<\/a><a href=\"https:\/\/musee-soulages-rodez.fr\/oeuvres\/fernand-leger-la-vie-a-bras-le-corps\/\" target=\"_blank\" data-type=\"URL\" data-id=\"https:\/\/musee-soulages-rodez.fr\/oeuvres\/fernand-leger-la-vie-a-bras-le-corps\/\" rel=\"noreferrer noopener nofollow\">ici<\/a><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Consid\u00e9r\u00e9 comme l\u2019une des grandes figures de l\u2019art moderne, Fernand L\u00e9ger est un peintre fran\u00e7ais dont l\u2019\u0153uvre, riche et coh\u00e9rente, traverse toute la premi\u00e8re moiti\u00e9 du XX\u00e8me&nbsp;si\u00e8cle.&nbsp; De la m\u00eame g\u00e9n\u00e9ration que Picasso, Braque ou Derain, il s\u2019implique, d\u00e8s les ann\u00e9es 1910 dans la r\u00e9alit\u00e9 physique et sociale de son temps.&nbsp;Amen\u00e9 au cubisme par la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,25,33],"tags":[],"class_list":["post-9035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-idees-dactivites","category-les-evenements"],"views":40,"_links":{"self":[{"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/posts\/9035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/comments?post=9035"}],"version-history":[{"count":8,"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/posts\/9035\/revisions"}],"predecessor-version":[{"id":9261,"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/posts\/9035\/revisions\/9261"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/media?parent=9035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/categories?post=9035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aveyronline.net\/index.php\/wp-json\/wp\/v2\/tags?post=9035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}